Modulation Routings

Sines allows a huge amount of modulation possibilities, configured with "mod boxes" adjacent to controls or using its super-flexible four-slot Mod Matrix section. Like other Cherry instruments, all controls are on the front panel and instantly viewable with no hidden pages or tabs.

Parameter Mod boxes

Many of Sines' parameters include a dedicated adjacent mod source button and attenuverter.

Source (Src) button- Click to open a popup menu that selects the modulation source. If the button is dim (gray), no modulation source is currently selected. The button illuminates when a mod source is selected. (The attenuator still needs to be increased or decreased from its center position to apply mod.)

Via button- The Via button is only found in the Pitch Mod, Phase, and Mod Matrix sections. It allows a mod source to dynamically control how much modulation is occurring. When using a Via mod source, the Mod Attenuverter sets the maximum mod amount.

Via is typically used for mod wheel-controlled vibrato (set Pitch Mod section Src to LFO, and Via to Mod Wheel), or when creating FM synthesis-style patches (set Phase section Src to an oscillator, and Via to an envelope generator).

Pitch Mod and Phase are the only Parameter Mod boxes that include Via routings, but just about any Sines parameter can have its mod depth set up with a via control in the Mod Matrix section. Keep on reading!

Mod attenuverter knob- Sets the amount of mod applied to the parameter for the currently chosen mod routing. The Mod attenuverter knobs are bipolar, so center position is off; turning the knob to the right applies positive modulation, and turning to the left applies negative modulation.

The current mod source is visible in the popup tooltip flag when the mouse is hovered over the Src button (You can set how quickly the tooltips display after mouse hover by clicking Settings gear icon>Interface>Tooltip Delay in the top purple tool bar). Note that modulation only occurs withing the existing control range; that is, a given control cannot be modulated past its minimum or maximum knob/slider setting.

Mod Matrix

Here's where things get heavy. Sines includes a four-slot mod matrix that allows modulation of almost every single Sines parameter. It works exactly like the individual Parameter Mod boxes explained above, but instead of being tied to the parameter of an adjacent control, each Mod Matrix slot includes a destination parameter.

Source (Src) button- Click to open a popup menu that selects the modulation source. If the button is dim (gray), no modulation source is currently selected. The button illuminates when a mod source is selected. (The attenuator still needs to be increased or decreased from its center position to apply mod.)

Via button- The Via button allows a mod source to dynamically control how much modulation is occurring. When using a Via mod source, the Amt attenuverter sets the maximum mod amount.

Via is typically used for mod wheel-controlled vibrato (set Pitch Mod section Src to LFO, and Via to Mod Wheel), or when creating FM synthesis-style patches (set Phase section Src to an oscillator, and Via to an envelope generator).

Pitch Mod and Phase are the only Parameter Mod boxes that include Via routing controls, but just about any Sines parameter can have its mod depth set up with a Via control in the Mod Matrix section.

Amount (Amt) attenuverter knob- Sets the amount of mod applied to the parameter for the currently chosen mod routing. The Amt knobs are bipolar, so center position is off; turning the knob to the right applies positive modulation, and turning to the left applies negative modulation.

Modulation from two or more sources can be routed to the same parameter by combining the Parameter Mod boxes and Mod Matrix (or multiple Mod Matrix slots). All modulation will be additively summed.

Sines Controls and Knob Rings/Bars

Almost all of Sines' knobs and sliders include an illuminated knob ring, or in the case of sliders, an illuminated "amount bar." These indicate the current control value, including any incoming modulation, either from hardwired mod sources, the dedicated parameter knob boxes adjacent to controls, or from mod routings configured with the Mod Matrix. Because they clearly display modulation, they're really helpful when setting initial control amount, optimal modulation depth, and mod median point. Plus they look real cool!

Mod and Via Sources

Following is a list of mod sources. The Mod Sources list is identical for Parameter Mod boxes and the Mod Matrix. The Via sources list is also identical. Read these very carefully, because they took ages to type !!$#%!

MOD SOURCE CATEGORY

MOD SOURCE

LFOs

LFO 1

LFOs

LFO 2

LFOs

LFO 3

LFOs

LFO 4

ENVELOPES

FILTER ENVELOPE

ENVELOPES

AMP ENVELOPE

ENVELOPES

ENVELOPE 3

ENVELOPES

ENVELOPE 4

OSCILLATORS

OSC 1

OSCILLATORS

OSC 2

OSCILLATORS

OSC 3

OSCILLATORS

OSC 4

KEYBOARD

MOD WHEEL

KEYBOARD

PITCH BEND

KEYBOARD

KEYBOARD CV

KEYBOARD

VELOCITY

KEYBOARD

CHANNEL PRESSURE

KEYBOARD

POLY AFTERTOUCH

KEYBOARD

ARPEGGIATOR

SIGNALS

WHITE NOISE

SIGNALS

PINK NOISE

SIGNALS

MONO RANDOM DC

SIGNALS

POLY RANDOM DC

SIGNALS

+10V DC

Mod Destinations

DESTINATION CATEGORY

DESTINATION

ALL OSCILLATORS, OSC 1, OSC 2, OSC 3, OSC 4

RATIO

ALL OSCILLATORS, OSC 1, OSC 2, OSC 3, OSC 4

FREQUENCY

ALL OSCILLATORS, OSC 1, OSC 2, OSC 3, OSC 4

FEEDBACK

ALL OSCILLATORS, OSC 1, OSC 2, OSC 3, OSC 4

PULSE WIDTH

ALL OSCILLATORS, OSC 1, OSC 2, OSC 3, OSC 4

SHAPE

ALL OSCILLATORS, OSC 1, OSC 2, OSC 3, OSC 4

WAVEFOLD

ALL OSCILLATORS, OSC 1, OSC 2, OSC 3, OSC 4

DRIVE

ALL OSCILLATORS, OSC 1, OSC 2, OSC 3, OSC 4

SUPER OSCILLATOR

ALL OSCILLATORS, OSC 1, OSC 2, OSC 3, OSC 4

SUB OSCILLATOR

ALL OSCILLATORS, OSC 1, OSC 2, OSC 3, OSC 4

LEVEL

ALL OSCILLATORS, OSC 1, OSC 2, OSC 3, OSC 4

PAN

LFO 1, LFO 2, LFO 3, LFO 4

RATE

LFO 1, LFO 2, LFO 3, LFO 4

LEVEL

FILTER ENVELOPE

ATTACK

FILTER ENVELOPE

DECAY

FILTER ENVELOPE

SUSTAIN

FILTER ENVELOPE

RELEASE

FILTER ENVELOPE

DELAY

FILTER ENVELOPE

VELOCITY

AMP ENVELOPE

ATTACK

AMP ENVELOPE

DECAY

AMP ENVELOPE

SUSTAIN

AMP ENVELOPE

RELEASE

AMP ENVELOPE

VELOCITY

ENV 3, ENV 4

ATTACK

ENV 3, ENV 4

DECAY

ENV 3, ENV 4

SUSTAIN

ENV 3, ENV 4

RELEASE

ENV 3, ENV 4

DELAY

ENV 3, ENV 4

VELOCITY

FILTER

CUTOFF

FILTER

RESONANCE

FILTER

ENV AMOUNT

FILTER

TRACKING

VCA

LEVEL

ARPEGGIATOR

RATE

GLOBAL/KEYBOARD

UNISON DETUNE

GLOBAL/KEYBOARD

GLIDE AMOUNT

GLOBAL/KEYBOARD

BEND DEPTH

DISTORTION

DRIVE

DISTORTION

TONE

DISTORTION

LEVEL

MOD FX

RATE

MOD FX

DEPTH

MOD FX

FEEDBACK

DELAY

TIME

DELAY

FEEDBACK

DELAY

DAMP

DELAY

SPREAD

DELAY

MIX

REVERB

DECAY

REVERB

DAMP

REVERB

MIX

EQ

100 Hz

EQ

200 Hz

EQ

400 Hz

EQ

800 Hz

EQ

1.6 k

EQ

3.2 k

EQ

6.4 k

EQ

12.8 k

Continue to Arpeggio section